Five-time Grammy-winning trumpeter/composer Terence Blanchard has been a consistent artistic force for making powerful musical statements concerning painful American tragedies – past and present. With his current quintet E-Collective he addresses the staggering cyclical epidemic of gun violence in this country with his new album Live, 7 powerful songs recorded live in concert that both reflect the bitter frustration of the conscious masses while also providing a balm of emotional healing. With a title that carries a pointed double meaning, the album is an impassioned continuation of the band’s GRAMMY-nominated 2015 studio recording, Breathless.

The music of Live was symbolically culled from concerts performed at venues in three communities that have experience escalating conflicts between law enforcement and African American citizens condemming gun violence of all manner whether against profiled citizens of color or targeted members of law enforcement.

Experimental, electric and exotic, E-Collective consists of Terence Blanchard on trumpet, Charles Altura on guitar, Fabian Almazan on piano and synthesizers, Oscar Seaton on drums, and new addition David “DJ” Ginyard on bass.

Indeed, throughout the album, Blanchard’s horn does not play the traditional role of a lone voice above the fray. Instead, he plays his horn through an effect that gives it the sound of a group of people standing up for their rights in ‘Marleyan’ harmony. “The vibe I wanted is a sound like a gathering of people chanting en masse for the communal demand of justice.”

Regarding his consistent attachment to artistic works of conscience, Blanchard confesses, “You get to a certain age when you ask, ‘Who’s going to stand up and speak out for us?’ Then you look around and realize that the James Baldwins, Muhammad Alis and Dr. Kings are no longer here…and begin to understand that it falls on you. I’m not trying to say I’m here to try to correct the whole thing, I’m just trying to speak the truth.” In that regard, he cites unimpeachable inspirations. “Max Roach with his ‘Freedom Now Suite,’ John Coltrane playing ‘Alabama,’ even Louis Armstrong talking about what was going on with his people any time he was interviewed. Herbie Hancock & Wayne Shorter who live by their Buddhist philosophy and try to expand the conscience of their communities. I’m standing on all of their shoulders. How dare I come through this life having had the blessing of meeting those men and not take away any of that? Like anybody else, I’d like to play feel good party music but this album is about the reality of where we are.”

Tickets can be purchased via www.ddtickets.rs & www.tickets.rs
Info:
+38163377483
www.musicology.rs

Five-time Grammy-winning trumpeter/composer Terence Blanchard has been a consistent artistic force for making powerful musical statements concerning painful American tragedies – past and present. With his current quintet E-Collective he addresses the staggering cyclical epidemic of gun violence in this country with his new album Live, 7 powerful songs recorded live in concert that both reflect the bitter frustration of the conscious masses while also providing a balm of emotional healing. With a title that carries a pointed double meaning, the album is an impassioned continuation of the band’s GRAMMY-nominated 2015 studio recording, Breathless.

The music of Live was symbolically culled from concerts performed at venues in three communities that have experience escalating conflicts between law enforcement and African American citizens condemming gun violence of all manner whether against profiled citizens of color or targeted members of law enforcement.

Experimental, electric and exotic, E-Collective consists of Terence Blanchard on trumpet, Charles Altura on guitar, Fabian Almazan on piano and synthesizers, Oscar Seaton on drums, and new addition David “DJ” Ginyard on bass.

Indeed, throughout the album, Blanchard’s horn does not play the traditional role of a lone voice above the fray. Instead, he plays his horn through an effect that gives it the sound of a group of people standing up for their rights in ‘Marleyan’ harmony. “The vibe I wanted is a sound like a gathering of people chanting en masse for the communal demand of justice.”

Regarding his consistent attachment to artistic works of conscience, Blanchard confesses, “You get to a certain age when you ask, ‘Who’s going to stand up and speak out for us?’ Then you look around and realize that the James Baldwins, Muhammad Alis and Dr. Kings are no longer here…and begin to understand that it falls on you. I’m not trying to say I’m here to try to correct the whole thing, I’m just trying to speak the truth.” In that regard, he cites unimpeachable inspirations. “Max Roach with his ‘Freedom Now Suite,’ John Coltrane playing ‘Alabama,’ even Louis Armstrong talking about what was going on with his people any time he was interviewed. Herbie Hancock & Wayne Shorter who live by their Buddhist philosophy and try to expand the conscience of their communities. I’m standing on all of their shoulders. How dare I come through this life having had the blessing of meeting those men and not take away any of that? Like anybody else, I’d like to play feel good party music but this album is about the reality of where we are.”

Tickets can be purchased via www.ddtickets.rs & www.tickets.rs
Info:
+38163377483
www.musicology.rs